What would a story be without inserting multiple emotions between the emotional moments of a story? In most short stories, the way the author sets the tone and setting of the story can capture the reader's attention, especially if it is based on real-life locations in a fantasy style. That said, in the stories "The Man in the Corner" and "The Most Handsome Man in the World" both authors change their writing tone throughout the story to make the story more mysterious and suspenseful for the readers, which makes them think. able to connect via telepathy. Both authors give readers space to think and analyze the story for the characters and events that unfold without much explanation. But that's not all, both authors have chosen their words carefully and the sentences are created with intent. The two authors are clearly trying to make the story dynamic by moving from mystery to suspense to fun. Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an Original Essay In "Streetcorner Man" the author's opening sentence states an introduction to a character who doesn't have much detail about himself, which leads to setting the tone of the story in mystery. Just the character's name and what part of town he's from, "imagine you come out and ask me, of all people, about the late Francisco Real." Then he says, "he was a big shot on the Northside." Also, the character telling the story has no name, except the one Rosendo gives him, which is the name boy, "You're always in the way, boy." And in the story “The Handsomest Drowned Man in the World” the author begins his opening sentence not with the character's name, but with a description of what the children thought the drowned man was. He goes on to say that the children who saw the drowned man thought it was an enemy ship, then noticed that this ship had no flags or tall vertical poles, so they thought it was a whale, when it was washed ashore. and they discovered the body which was full of dead sea creatures and green algae, then they noticed that it was a drowned man (Márquez 292). The drowned man is not given a name until the ladies of the village agree that his name should be Esteban, just because he had the face of an Esteban. This way of leaving the characters nameless gives the story more light and importance to the event and focuses on the character's purpose. Naming a character leaves room for readers to focus on the character's characteristics such as, personality, and other dimensions of a person. No character names lead readers to think about what the characters' purpose is in the story. Secondly, in "Streetcorner Man" the author moves from light mystery to setting the tone of the story to suspense. He describes the event of the alleged knife fight night from being "funny, like in some kind of dream" to going silent, with someone banging on the door and a large voice shouting as if it might be the police. That part itself is suspenseful, but then it becomes even more suspenseful when the character now called “the Butcher,” the one who walked through the doors with his back against the wall, gets into a fight with the most popular guy in Villa Santa Rita.” Rosendo Juarez”. From that event it becomes even more moving when the nameless main character hears a woman's crying and a man's low voice, "then that voice we all knew by now, but very low, almost too low, as if somehow had never been like this." they no longer belong to anyone." The “boy” character seems to know that out..