IndexIntroductionConclusionBibliographyIntroductionAlfred Hitchcock is a household name in the film industry known for his use of cinematic techniques to create suspense. In particular, the use of visual techniques distinguished him from the rest of the filmmakers. North by Northwest and Rear Window are two films with different plots but which highlight Hitchcock's work. The use of point of view shots, overhead shots and close-ups allows viewers to connect with the characters in the film thus encouraging the viewer. The use of music in both films was also used to create suspense. The intriguing nature of both of these films lies in the way the director was able to blend cinematic techniques and music to create suspense. Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an original essay Alfred Hitchcock is a British director known for using a unique style in film visuals. The visual technique used in the film conveys different and illicit feelings to the audience. Hitchcock's works stand out among the works of other directors. For example, the use of low-key and marginal lighting is used to create different atmospheres in the film throughout the films, Hitchcock used suspense to keep the audience wanting more by using various cinematic techniques. Although North by Northwest and Rear Window have different plots, the use of cinematic techniques and music has been used to create suspense in the films. Hitchcock uses different shooting techniques in Rear Window and North by Northwest. In Rear Window, the director uses lighting in a literal way. The lighting used is used to show that the characters are familiar with something that is happening. In the film Jefferies is seen taking note of the lighting in nearby apartments and they are turned on so he can see what the audience is doing. Furthermore, when the lights are off, he sees a silhouette such that the audience and Jeffries cannot see who was in the next room. This contrast is used to show the difference between knowing something and not knowing. When the lights are turned off, it creates such suspense that the audience wants to know what is happening in the dark. Additionally, the director uses different shots to create perspective in the film. The entire film is structured in such a way that viewers see it from the protagonist's window. As the film progresses, different stories of those living in the apartment develop, and the photos are such that they are framed in the windows. This gives the public the feeling of exclusion from the events of the rest of the world. The audience is brought into the world of a shot. This happens when Thorwald discovers Lisa searching her apartment. In North by Northwest, Hitchcock uses high angle shots to show that the character is in crisis to create suspense. They are also used to show power differences between characters, making them smaller and seem less powerful. An example of the use of the high angle shot is when Cary Grand escapes from the United Nations building after learning that she has been framed for murder. Another example is when framing is used in such a way that Thornhill appears smaller than he actually is. These scenes allow the viewer to see the helplessness and desperation in his eyes as two men force him to take whiskey. The high angle shot shows the audience how these men have belittled him to the point of forcing him to get drunk. For some viewers, this might make them feel sympathetic because it ishelpless and there is nothing he can do to get out of the situation. Hithcock also uses low angle shots to make the character seem more powerful as he is zoomed in. In the film, this technique is used to show Phillip Vandamm's power over the other characters in the film. In one scene Vandamm is depicted sitting comfortably with his colleague next to him (Hitchcock, 1959). The facial expression in the scene makes Vandamm seem arrogant and arrogant, thus showing that he was a powerful person. This scene is the one that reinforces the resentment that viewers have towards him because he has an unsympathetic attitude. Compared to the overhead scene Thornhill is in, the director shows how powerful Vandamm is of him. In both films, the director uses similar cinematic styles, thus bringing out the thoughts of the characters. This is seen when the director takes close-ups of the characters to generate a dramatic response and to show a dangerous object for the protagonist in both films. For Rear Window, close-up shots are used to illuminate and show the beauty of the film's female characters. This technique in the scene where Lisa, Strewart's girlfriend, is introduced. This is a construction from point of view shots that allow the viewer to see Lisa's beauty. Proximity shots are those that arouse more emotions than wide shots. This is a technique that is also applied in the North-Northwest. This is present in the scene where Eve Kendall is seen hugging Thornill. The close up view shows Eva's disappointment because she was ashamed of what she had done. The shot also shows that Eve is mostly worried because she has betrayed Thornhill's trust. It is worth noting that these close-ups give the audience a mixed feeling of sympathy and hatred. A close up view allows the eye to see the emotions Eva is feeling giving a closer look at her face to see if she is remorseful or not. The shots claim that Eve actually had an ulterior motive when she fell in love with Thornill. In another scene, Thornill and Eve are in danger as Valerian and Leonard chase them as they escape. They run into the woods and come to the edge of the cliff which they later discover is the top of Mount Rushmore. They both stumble and have to hang from the cliff to avoid falling. At this point of desperation, Hithcock shows a close-up of Eva as she tries to save her life by hanging from the cliff. This allows viewers to see how scared and desperate she was, thus eliciting sadness and sympathy from the audience. His desperation is further highlighted as he pleads for help, thus making the scene intense as the audience doesn't know what will happen next. The director uses point of view shots in Rear Window and North by Northwest. Usually, perspective shots put the audience in the protagonist's perspective, thus allowing the viewer to experience the protagonist's feelings in that moment. In this case, the director may want the viewer to feel desire, shock, fear, or confusion depending on the setting of the scene. In Rear Window, the entire film is seen through the lens of James Stewart who is stuck in a chair and secretly spies on his neighbor. Spying on his neighbors is such that he reduces them to objects that invade their privacy. The viewer is taken through Stewart's long lens as he stalks his neighbors such as Miss Tors and Miss Lonely-hearts. Through the lens, the director creates suspense and allows them to solve the mystery as Steward does. It also allows the audience to see and learn more about the audience as Stewart learns in the process. In one of the scenes Stewart is looking at Lisa,. 2019