Claude McKay, an eminent African-American writer of the twentieth century, one of the famous pioneers of black American literature, provides an exact picture of how the peoples of the African diaspora are dominated by communists whites in Harlem in the 1930s. His fourth novel Lovely Big Teeth is a political and historical novel. It concerns the efforts of the Harlem intelligentsia to form an organization to support the liberation of fascist-controlled Ethiopia. Maxim Tasan is the novel's antagonist, who is a white communist. Through the character of Tasan, McKay describes the popular front of white communists in the second half of the 1940s and 1950s of the Harlem Renaissance. The author focuses on international issues and shows how the Renaissance continued to be vibrant over time. It also highlights how people of the African diaspora in Harlem and Ethiopia are colonized, opposed, and dominated by white communists. At the same time, McKay presents how blacks feel proud of their black heritage and express their protest against the white communists and Mussolini's dictatorship and fascism. Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an original essay Keywords: political satire, fascism, Comintern, dictatorship and popular front. The miscreant of the novel is represented as a baffling and vile Comintern specialist of ambiguous Eastern European root. Tasan has one African-American collaborator; teacher-turned-dissident Newton Mansion. Fischer Mike in his review titled “Review: 'Amiable with Big Teeth' by Claude McKay” states that the characters in his novel, he helps explain, are drawn to Maxim Tasan, reminiscent of the satanic brother Jack in Ellison's Invisible Man. Maxim is a hungry, sharp-toothed wolf in sheep's clothing, as suggested by McKay's title. In the collection of manuscripts of Claude McKay in the New York Public Library, the Schomburg Center for Research on Black Culture highlights McKay's speech at the Fourth Congress, which grieved how racial prejudices among America's socialists and communists they prevented them from addressing the black question. McKay needed participants to understand the centrality and capacity of global socialist development for Black people. Motivated by McKay's speech, the Comintern formed a Negro commission. However, McKay was not chosen to be part of it, despite the fact that the group's hold on him was resonated by the all-encompassing community in Russia. During his stay in Russia, which ended in 1923, he was celebrated as an extraordinary author. During the 1930s, McKay's open analysis of international communism as a component of the Soviet Association's spread of hostility to force led him to be viewed with doubt. . He separated from the group and never became a member of the communist party. This was the period of the Popular Front in which Soviet policy was to act in coalition with liberal organizations and democratic governments throughout the West to resist fascism. Gene Andrew Jarrett, in A Companion to African American Literature, explains African American artistic activity in the Middle and Middle Ages. 1930s and mid 1950s from the Harlem Renaissance. Although numerous art forms emerged under the auspices of both movements, the literary epitome of the Chicago Renaissance, including Wright, Gwendolyn Brooks, Margaret Walker, Frank Marshall Davis, Willard Motley, and William Attaway, were famous for their expertise with social or documentary realism. . Many have dealt with the cultural, environmental and psychological circumstances of the same 2017): 23.